J. Hoberman
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J. Hoberman
James Lewis Hoberman (born March 14, 1949) is an American film critic, journalist, author and academic. He began working at ''The Village Voice'' in the 1970s, became a full-time staff writer in 1983, and was the newspaper's senior film critic from 1988 to 2012. In 1981, he coined the term "vulgar modernism" to describe the " looney" fringes of American popular culture (e.g. the animators Tex Avery and Chuck Jones, ''MAD'' Magazine, TV pioneer Ernie Kovacs and the films of Frank Tashlin). Early and personal life Hoberman was born to a Jewish family in Brooklyn. His ancestors immigrated to the United States from Poland, Ukraine, Austria-Hungary, and Alsace-Lorraine. He grew up primarily in Fresh Meadows, Queens. Hoberman completed his B.A. degree at Binghamton University and his M.F.A. at Columbia University. At Binghamton, prominent experimental filmmaker Ken Jacobs both instructed and influenced him. Hoberman and his wife, a social worker, married in 1974. They have two dau ...
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Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ...
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Ukraine
Ukraine ( uk, Україна, Ukraïna, ) is a country in Eastern Europe. It is the second-largest European country after Russia, which it borders to the east and northeast. Ukraine covers approximately . Prior to the ongoing Russian invasion, it was the eighth-most populous country in Europe, with a population of around 41 million people. It is also bordered by Belarus to the north; by Poland, Slovakia, and Hungary to the west; and by Romania and Moldova to the southwest; with a coastline along the Black Sea and the Sea of Azov to the south and southeast. Kyiv is the nation's capital and largest city. Ukraine's state language is Ukrainian; Russian is also widely spoken, especially in the east and south. During the Middle Ages, Ukraine was the site of early Slavic expansion and the area later became a key centre of East Slavic culture under the state of Kievan Rus', which emerged in the 9th century. The state eventually disintegrated into rival regional po ...
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Bill Griffith
William Henry Jackson Griffith (born January 20, 1944) is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip '' Zippy''. The catchphrase "Are we having fun yet?" is credited to Griffith. Over his career, which started in the underground comix era, Griffith has worked with the industry's leading underground/alternative publishers, including Print Mint, Last Gasp, Rip Off Press, Kitchen Sink, and Fantagraphics Books. He co-edited the notable comics anthologies ''Arcade'' and '' Young Lust'', and has contributed comics and illustrations to a variety of publications, including '' National Lampoon'', ''High Times'', ''The New Yorker'', ''The Village Voice'' and ''The New York Times''. Early life, family and education Born in Brooklyn, New York City, New York, Griffith grew up in Levittown on Long Island. He is the great-grandson and namesake of the photographer and artist William Henry Jackson (Jackson died at age 9 ...
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Art Spiegelman
Art Spiegelman (; born Itzhak Avraham ben Zeev Spiegelman on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel ''Maus''. His work as co-editor on the comics magazines ''Arcade (comics magazine), Arcade'' and ''Raw (magazine), Raw'' has been influential, and from 1992 he spent a decade as contributing artist for ''The New Yorker''. He is married to designer and editor Françoise Mouly, and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters. Spiegelman began his career with Topps (a bubblegum and trading card company) in the mid-1960s, which was his main financial support for two decades; there he co-created parodic series such as ''Wacky Packages'' in the 1960s and ''Garbage Pail Kids'' in the 1980s. He gained prominence in the underground comix scene in the 1970s with short, experimental, and ...
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Arcade (comics Magazine)
''Arcade: The Comics Revue'' is a magazine-sized comics anthology created and edited by cartoonists Art Spiegelman and Bill Griffith to showcase underground comix. Published quarterly by the Print Mint, it ran for seven issues between 1975 and 1976. Arriving late in the underground era, ''Arcade'' "was conceived as a 'comics magazine for adults' that would showcase the 'best of the old and the best of the new comics.'"Fox, M. Steven"Arcade, The Comics Revue,"ComixJoint. Accessed June 19, 2018. Many observers credit it with paving the way for the Spiegelman-edited anthology ''Raw'', the flagship publication of the 1980s alternative comics movement. Well-known creators who contributed to the anthology include R. Crumb, Kim Deitch, Jay Kinney, Aline Kominsky, Jay Lynch, Spain Rodriguez, Gilbert Shelton and S. Clay Wilson. Overview By the mid-1970s, the underground comix movement was encountering a slowdown, and Spiegelman and Griffith conceived of ''Arcade'' as a "safe berth." It ...
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Underground Comix
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s. Robert Crumb, Gilbert Shelton, Barbara "Willy" Mendes, Trina Robbins and numerous other cartoonists created underground titles that were popular with readers within the counterculture scene. Punk had its own comic artists like Gary Panter. Long after their heyday, underground comix gained prominence with films and television shows influenced by the movement and with mainstream comic books, but their legacy is most obvious with alternative comics. History United States The United States underground comics scene emerged in the 1960s, focusing on subjects dear to the count ...
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Eraserhead
''Eraserhead'' is a 1977 American surrealist film, surrealist horror film written, directed, produced, and edited by David Lynch. Lynch also created its Eraserhead (soundtrack), score and sound design, which included pieces by a variety of other musicians. Shot in black and white, it was Lynch's first feature-length effort following several short films. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Roberts (actress), Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of a man who is left to care for his grossly deformed child in a desolate industrial landscape. ''Eraserhead'' was produced with the assistance of the American Film Institute (AFI) during Lynch's time studying there. It nonetheless spent several years in principal photography because of funding difficulties; donations from Fisk and his wife Sissy Spacek kept production afloat. It was shot on several locations owned by the AFI in California, including Greystone Mansion and a set of di ...
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David Lynch
David Keith Lynch (born January 20, 1946) is an American filmmaker, visual artist and actor. A recipient of an Academy Honorary Award in 2019, Lynch has received three Academy Award nominations for Best Director, and the César Award for Best Foreign Film twice, as well as the Palme d'Or at the Cannes Film Festival and a Golden Lion award for lifetime achievement at the Venice Film Festival. In 2007, a panel of critics convened by ''The Guardian'' announced that "after all the discussion, no one could fault the conclusion that David Lynch is the most important film-maker of the current era", while AllMovie called him "the Renaissance man of modern American filmmaking". His work led to him being labeled "the first populist surrealist" by film critic Pauline Kael. Lynch studied painting before he began making short films in the late 1960s. His first feature-length film, the surrealist ''Eraserhead'' (1977), became a success on the midnight movie circuit, and he followed that ...
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Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ...
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Andrew Sarris
Andrew Sarris (October 31, 1928 – June 20, 2012) was an American film critic. He was a leading proponent of the auteur theory of film criticism. Early life Sarris was born in Brooklyn, New York, to Greek immigrant parents, Themis (née Katavolos) and George Andrew Sarris, and grew up in Ozone Park, Queens. After attending John Adams High School in South Ozone Park (where he overlapped with Jimmy Breslin), he graduated from Columbia University in 1951 and then served for three years in the Army Signal Corps before moving to Paris for a year, where he became a friend of Jean-Luc Godard and François Truffaut. Upon returning to New York's Lower East Side, Sarris briefly pursued graduate studies at his alma mater and Teachers College, Columbia University before turning to film criticism as a vocation. Career After initially writing for ''Film Culture'', he moved to ''The Village Voice'' where his first piece—a laudatory review of '' Psycho''—was published in 1960. Later he re ...
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Ken Jacobs
Ken Jacobs (born May 25, 1933 in Brooklyn, New York) is an American experimental filmmaker. His style often involves the use of found footage which he edits and manipulates. He has also directed films using his own footage. Ken Jacobs directed '' Blonde Cobra'' in 1963. This short film stars Jack Smith who directed his own ''Flaming Creatures'' the same year. In 1969 he directed ''Tom, Tom, the Piper's Son'' (1969, USA), in which he took the original 1905 short film and manipulated the footage to recontextualize it. This is considered an important first example of deconstruction in film. The film was admitted to the National Film Registry in 2007. His '' Star Spangled to Death'' (2004, USA) is a nearly seven-hour film consisting largely of found footage. Jacobs began compiling the archival footage in the 1950s and the film took years to complete. Jacobs taught at the Cinema Department at Harpur College at Binghamton University from 1969 to 2002. His son Azazel Jacobs is al ...
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Experimental Filmmaker
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ...
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